A painting that reaches three-dimensionality: the metal delimits the space framing the air that creates several “theatrical settings” characterized by lightness and depth.

In this way it obtains light and reflections thanks to the use of fused glass. These are three materials that in their mere pureness create the Theo table, a result of a graphic synthesis and of a research process of the balance between the full and the empty.

Few and precise perpendicular signs are drawing in the space an architecture reduced to the essential that works as a director of the extraordinary play of transparencies, colors and refractions than can only be given by high temperature melting.